They
called him Jimmy the Magician because he could blow a lick from his sax,
playing two notes at once, sustaining it for a whole chorus. He worked in
downtown Richmond, miles from his native Philadelphia, yet close to the heart
of transplanted jazz and blues. Most people had come out to California to work in the
shipyards during the war, finding themselves in a hot pot of juke joints and
jazz clubs, but Jimmy had come a decade later, purposely for the strains that
emanated in the late nights and early mornings from the corners of downtown.
Each night, after his work in the eight-piece band at the Highlight strip club,
he would saunter a few doors down in his pin stripes to the Eagle or Dotha’s to
join in, and end up staying for hours. MacDonald Avenue was the place.
At the Highlight
he was known as reliable and friendly, tight curls circling his large, cheerful
face with red cheeks, and the girls liked to tease him. But what they didn’t
know—the wide-lapeled manager of the club who hired him seven years ago and the
tall loud girls who paraded in front of his music stand every night—was that he
could play the sax like a harmonica, with many tones at once.
He thought he would be famous one day for his special technique, which he had learned when he was a kid in high school hanging out in the clubs when his parents thought he was at Aunt Charlotte’s. One night he saw a flutist play like he was from another planet. The guy had extended the head joint so he could slide it back and forth, changing the range of pitch—he could play higher and lower than other players. But the guy also played harmonics. And now that Jimmy had turned the technique into magic, he couldn’t help thinking about his father, who was cold under the ground, and his mother, who didn’t even know he played at the strip club, thinking instead that he was part of the regular music scene. For all she knew Jimmy was slinging hash to support his jazz habit, her baby Jimmy, the middle of five kids from a small town in Philly, working on a dime. But he didn’t have the heart to break his mother’s dream. His dream. He often thought of her during a performance, as a watchful eye of his knowing past. But some things could not be helped, like his friendliness with the girls after hours.
He thought he would be famous one day for his special technique, which he had learned when he was a kid in high school hanging out in the clubs when his parents thought he was at Aunt Charlotte’s. One night he saw a flutist play like he was from another planet. The guy had extended the head joint so he could slide it back and forth, changing the range of pitch—he could play higher and lower than other players. But the guy also played harmonics. And now that Jimmy had turned the technique into magic, he couldn’t help thinking about his father, who was cold under the ground, and his mother, who didn’t even know he played at the strip club, thinking instead that he was part of the regular music scene. For all she knew Jimmy was slinging hash to support his jazz habit, her baby Jimmy, the middle of five kids from a small town in Philly, working on a dime. But he didn’t have the heart to break his mother’s dream. His dream. He often thought of her during a performance, as a watchful eye of his knowing past. But some things could not be helped, like his friendliness with the girls after hours.
How
had Jimmy found himself in a strippers’ changing room in a dive off MacDonald
Avenue, where the lights on the marquee flickered because they didn’t have
enough money to pay the electric bill? He had to use the same changing room as
the girls because the place didn’t have enough space for a separate room. The
girls told the guys they could share, and he and some of the unmarrieds used
the room to change their shirts and trousers after they had sweated them
through. Every night, women in various stages of undress filled the room as he
took his instrument out of its case. One by one, they came filing in. Often, he
pretended to fiddle with one of the keys while they undressed from their layers
of skirts, blouses, and nylons, to put on not much more than pasties over their
nipples and little coverings for their crotches. Helga the Swede made her own,
what she called “merkins,” and each one had a different face. One night she
would wear the Groucho Marx one, with stitching making a mouth, cigar, and
eyebrows, and another had a horse’s face with a laughing mouth. Over these
items came the costume of the evening, depending on what show they were
performing, for each had a theme.
After a long
night, which he followed with the blues and jazz clubs, Jimmy would crawl into
bed at four in the morning, often with one of the girls, and by the time he
rose, took a shower, and got some grub at the corner diner, he had little time
to do anything else. He wondered, was keeping time with girls after hours
keeping him from aspiring to the serious life of jazz, or just bad luck?
Jimmy
had seen all the shows many times—he had seen “Fireflies” and “Spring,” as well
as “Oriental Fantasy,” but one night it all changed. He sat down in the band
pit as the curtain rose and played a low G, the introductory note, before the
manager came out to announce the theme for the evening.
“Ladies
and gentlemen, I present our new show this evening, for the first time, with
our new star, Miss Ida Bergman—‘Swans.’”
The
manager always said “ladies and gentlemen,” though there were only a few men
who brought their girlfriends, and no wives came.
Jimmy’s
mother had taken him to the ballet when he was a kid before he beat a hot path
to jazz, yet playing the overture from “Swan Lake” to a room full of mostly
soused men seemed more funny than the tragic mood the ballet warranted. The
grimaces of the men in the first row showed that they had been dragged to the
ballet by their own mothers, Jimmy thought, but their mouths cracked to smiles
as soon as the line of girls twirled out. You couldn’t call them pirouettes
really, not that he was any judge, but it was beautiful, more beautiful than
anything Jimmy had ever seen, sequins crowning the effect, more elegant than
the usual cheap shiny costumes. He recognized each one through the white
feathers and sheen of dark blue, the stage lights caressing each form into a
real swan, wings slowly beating, sailing, weaving among the others, until he
could not separate the individual shapes and it was all a deep blue blur.
After all the girls had filed in, moving in circles, the head swan entered the room. “Ah’s” came from the crowd now. Looking up, Jimmy missed a few notes of an arpeggio which usually would have been effortless, and found himself hanging off a high F, until Mike the trumpet player hit him on the knee with his mute.
After all the girls had filed in, moving in circles, the head swan entered the room. “Ah’s” came from the crowd now. Looking up, Jimmy missed a few notes of an arpeggio which usually would have been effortless, and found himself hanging off a high F, until Mike the trumpet player hit him on the knee with his mute.
The
star, Ida, was new to the club. Her face, as she danced—or was it floated—to
the front of the stage, was a small pale thing with two round pink circles for
cheeks. She looked like a clown in a circus, a girl inside a girl, her white
skirts shimmering under the heavy white lights. He almost thought she met his
gaze as she went by, the orange-colored hair incongruous to her slender
paleness.
After
half an hour when the curtain went down, his clothes were wet through with
sweat from the hot stage lights. He made his way back to the changing room past
the new girl.
“Are
you new?” he asked her. But he already sensed the answer. The manager had
announced her as the star and he had spent time with most of the girls and this
one hadn’t graced his small room.
She
nodded wordlessly, not meeting his gaze as she mopped off the heavy makeup from
her face with a cotton ball. Her wings lay on the chair behind her, yet she
appeared nonetheless swan-like, her shoulders proud, her whole being composed,
still in the role.
“Oh,
Jimmy, leave her alone,” Mavis joked, rolling off her nylons slowly into the
palm of her hand, red hair toppling over her face. “Can’t you see she’s got the
heebie jeebies!”
The
long, narrow changing room—cluttered with chairs and lined with a continuous
counter on either side and mirrored walls—felt like the side of his mouth after
playing for a couple of shows, clammy and airless. But he didn’t mind. He
removed his shirt, fanning himself with it, and the girls started whistling.
Then he pulled at his undershirt, which clung to his skin.
“Take
it off,” said Ethel, smiling so she revealed her missing teeth. “We’ll wash it
for you.”
They
loved to tease him and meant no harm, and it was the closest thing he had to
family these days since his wife had left him years ago.
“Jimmy,
this is our changing room, get
yourself another,” said Dorothy, hand on her hip, her dress half on, half off.
“Hey, Ethel, give me a hand with this zipper.”
He
could dish it back. “Oh, pipe down now, I’m about as hot as a man can stand,
and I’ve got much more clothes on than you. I can’t help it if they won’t give
us our own room.”
Dorothy
came forward out of the restless but limp pack, pulling her full arms around
his slim waist. He had kept in shape for just these moments, punching a bag at
Mooches’ a couple days a week, and he walked the many blocks from his place to
the club every night, his sax strapped to his back. Yes, her long arms fit
around him nicely, though she was a few inches taller.
“Ooo,”
she cooed. “Aren’t we special. What do you need your own room for, when you’ve
got us? It’s just like being back at your place, huh?” She took her arms away
suddenly and twirled around, cackling loudly away from him, towards the other
girls. It sounded like chalk across a blackboard. The rest giggled.
Mike,
the trumpet player, came through and patted Jimmy on the back. “You’re sure you
don’t want to come? Beth would be happy to put another plate on the table.”
“No,
I’m okay—I’m heading to the session around the corner anyhow.”
“Well
then, I’ll be getting along.” Mike didn’t sweat as much as Jimmy and never used
the changing room except to pass through on his way out to the stage door.
A few of the girls floated over to
Mike, littering his cheeks with blood red kisses, which he immediately wiped
off with his white handkerchief. “Thanks, the missus’ll love that.”
Jimmy didn’t want
pity, but he did enjoy going home with Mike now and again, to an apartment
filled with womanly things. Jimmy’s own apartment only had two rooms and he had
no table to eat at, always sitting on the big old couch, a leftover from his
marriage, the one thing he kept when he told her to take it all. After all, he
had spent enough nights on it that last year.
“Dot,”
he said, “you really shouldn’t cause him grief—he’s lucky to have her, you
know.”
“Oh,
we don’t mean embarrassment or anything,” she said in a softer voice, looking
down now, unsure of herself. She sidled up to Jimmy again. “It’s just that he
takes it so well.” She burst into a smile again.
“Silly
Dot, I love ya’.” He squeezed her against him and gave her a peck on the lips
before releasing her, her body twirling back to her chair at the long mirrors.
Then
the girls turned, like dominos falling aside, as the new girl emerged from the
back. She had changed from her costume into a soft white dress suit and fluffy
white coat, and her light brown hair, hidden before with the red wig, fell
against her shoulders like long grass, swaying. A pair of clear framed glasses
surrounded her pale blue eyes. She had tied a bright green scarf on her neck as
she approached the front, so Jimmy could just make out her freckles under a
layer of powder, a reminder of the girlhood she gave up and whatever small town
she must have left to come to Richmond—it was all written on her upturned face
in a mixture of soft and hard lines.
Dorothy
was still on the same note as before. “Come now—don’cha think his wife is used
to it by now, every night—”
The
new girl cut her off. “I think it’s high time you act like women instead of
tramps.” She put one hand on her hip, the other holding her pocket book close
to her other hip. Her teeth were clenched like an animal of prey, and the
cheeks that had been drawn on before as round circles now had a natural color
of their own—the red of embarrassment. She walked up to Dorothy with small but
firm steps. Her head came up to Dorothy’s shoulders.
Dorothy
headed her off. “Big woman ‘round town, huh? Well, Miss—what do you call
yourself—Ida. You better settle in before the lights fall down on
you—ungrateful—we’re lucky to have a good place to work, and you start thinking
you’re any better than us just because you were hired from outside. I used to
do the big roles around here.” She boiled, her cheeks puffing out and her eyes
getting redder by the second.
“Now,
now, steady on,” Jimmy put his arm around Dorothy. “We don’t want a rift.” He
patted her behind, which she always seemed to appreciate.
Dorothy cackled
loudly, before pushing the new girl to one side, causing her to trip and land
against one of the chairs. “Run along missy, and we’ll see you tomorrow, if you
come back.”
“She doesn’t know
which way is the entrance or the exit—look, she’s trying to get out,” called
Ethel.
“Not surprising,
with those glasses,” said Dorothy.
“Oh, look what
you’ve done,” signed Jimmy. “Why do you always have to push the new girls
around?”
And that was the
end of the hubub. They had all started giggling again and no one could stop
them. The room shuddered with the force of it as the new girl stumbled out.
Jimmy threw his shirt over his back, buttoning it as he could, and grabbed his
jacket and his sax, threading through the back stage to the street.
He saw her turning
the corner just in time and picked up speed. A few drops came down and he hoped
it wouldn’t pour because he hadn’t brought his tight case and had no umbrella.
As Jimmy hit the
corner he had to stop, for the girl, Ida, stood just a little way ahead, under
a street lamp outside Woolworth’s. Maybe she was waiting for someone. He hadn’t
decided what he was going to do or what he would say if he caught up with her.
She stood out among the gray and black shadows surrounding the street lights.
It was two in the morning and the usual high-spirited crowd was out, stopping
into the clubs for a little music and drinking it up. She positively glowed
under the lamp in her white outfit.
Jimmy slowly
walked up to the girl, still standing under the street lamp, taking long drags
on a cigarette—slowly lest she run away from him after her experience in the
dressing room. Steam came from her nostrils and smoke from her lips, her pink
lips, curled in a sad smile.
“Penny for your
thoughts.”
“How original—I
would expect more from a sax player. My father was the one who used to say…”
But then her voice became inaudible.
“What was that?
Shall we? There is a diner around the corner. We can have a bite?”
She looked up at
him, her bottom lip pouty. “Why should I go with you?”
“Look, I’m sorry
the girls treated you that way,” he offered.
“I don’t usually
hang around musicians. Everyone knows…”
“All that stuff is
untrue. I may seem one way, but I’m not like that,” he said.
“If you have to
say it—”
He was blowing it
royally. “Please. I would be honored if you would join me for a cuppa coffee.”
He extended his arm.
“Very well. But
don’t try anything.” And she allowed him to take her arm and they walked around
to Al’s.
The glowing red
neon sign was always a promise of some hot food and who knew what else, for
Jimmy always seemed to meet people there—musicians that popped into town for
the weekend or women who didn’t strip for a living—not that they were any
better than the girls of the Highlight when it came down to it. Tonight, on the
other hand, he would give all his attentions to Ida.
As they slid into
the dark red booth, she began. “It happens every time. I can’t work in legit
theaters and the whores treat me like that.”
“They’re not
whores. You act like you’ve worked in a place like that too.”
She didn’t argue
with him. Putting a fresh cigarette to her lips, she pursed them to hold it
tight. She squinted her eyes and stared at a spot on the table before removing
her glasses and folding them up and setting them carefully on the red mottled
surface of the table.
“The girls don’t
mean any harm really. It’s just a living,” Jimmy said. “For me, too—I didn’t
expect to be there at the Highlight after a few months, and now it’s seven
years.”
“Yes, but what you
don’t realize—I know these women,” she said.
“And how are you not one of these women?” he asked her.
“Don’t start with
me. My father used one, like Dortha there, tall, with a big mouth. She was his
assistant.” She pushed her hair out of her eyes but it feel back against her
face. Then she took a long drag and gazed out the large window out to the
street before continuing. “Did you ever hear of Bergman the Magician?”
He hadn’t heard
that name since he was a kid. “No, your father, really? The guy was famous. He
had a great act. We saw him in Atlantic City, when we visited our cousins. He
made a woman disappear. She stood in a tall box, all tied up with rope, then he
closed it, and that was it! I was old enough to know he couldn’t really do it,
but it was great, just great.”
Out the large
picture window, he saw the moon emerge from behind some clouds before going
back into hiding.
He said, “You
know, they call me the Magician too.”
“Interesting…
Well, that’s what I grew up with. From there to dance school, and now this.”
“I didn’t plan on
it either—look at me. You would think I belonged there.”
Again, she pushed
her hair off her face, and this time held it there with her hand, elbow on the
table. Removing her gaze from the table, she looked up at him, no longer
squinting, her eyebrows sliding back into their natural positions. “Look here,
Jimmy, we don’t know each other. Even if you did see my father when you were a
kid. You know where I was then? In a tiny apartment miles away. I only saw my
father’s act three times.
He could hear
Atlantic city in her voice now, an unmistakable twinge hidden in a layer of
Manhattan overtones.
“I’m sure people
thought he was pretty terrific,” she said emphatically.
Her hair had
become a mess in front from the tireless way she kept pushing it off her face.
His mother had no idea about the women he spent time with.
She blew the smoke
in his direction. “Nothing to say, eh?”
“No, I shouldn’t
be here myself, but I can’t make it in the big bands, what’s left of them.”
Jimmy said.
“How come men only
talk about themselves?” she said.
“I was—I asked
about you.”
“Where is that waitress.
I haven’t eaten since I don’t know when.”
It must have been
true. She looked paler by the minute. Jimmy snapped his fingers at the woman
standing at the counter, who in turn, nodded her head up and down, but to no
effect.
Ida said, “I
thought there were a lot of big bands out here still. I see the names on the
marquees.”
“Well… if you want
to know. There’s Don Ellis—he played with Glenn Miller, Chico Hamilton, Woody
Herman gets around… and the combos, we’ve got tons of that here, but I can’t
seem to get in solid with any of them. They make a big deal about my sound but
they move on without calling me. Then, with the blues, there’s a great piano
player right now at Dotha’s, but he told me he’s moving on soon. One day he’ll
be there and the next day some other guy will be sitting there playing the
blues. The other night this woman, thin black woman, Lady Bianca, ripped right
through me with those raunchy lyrics…”
“Come now, I’m
sure you’ll go soon enough,” she said.
“Thanks,” he said.
“I should be other
places too,” she said. “I studied at the conservatory, in New York—I wanted to
be a ballerina.” Her chin raised a little higher and she looked like a queen
now, commanding a country.
A woman with a
stroller came into the diner, passed their booth, the baby screaming. Patrons
turned their heads and made cringing faces, diagonal open mouths. The shiny
gold-colored paint on the walls seemed to vibrate, the overhead lights shake.
The waitress came
by in a crisp orange short skirt, pen and pad in hand, her hair tall to the
ceiling with hairspray. “What will you have, folks?” She looked towards Ida.
Ida could only
stare and raise her arm, pointing it towards the mother and baby, and shaking,
her eyes blinking, as if the waitress was invisible. Jimmy reached over,
surprised that Ida’s arm was stone cold, her face more pale than before, her
lips white. He got up and reached his arm around her and she felt thinner than
he imagined.
Her voice
trembled. “See there—look—that would have been me if I hadn’t gone through with
it.” She spoke to no one, as if thinking aloud, her eyes searching the
distance.
The waitress
shrugged her shoulders. “I’ll come back when you’re ready.”
Jimmy took the
cigarette out of her hand and placed it in the holder. Her hand in his felt
colder. The whole place seemed to shake, as if an earthquake had struck,
something he hadn’t experienced yet. He could feel his face turning red and Ida
seemed to be losing life, as she continued to become colder.
“Someone call an
ambulance!” he yelled.
He frantically
looked around, but no one was paying any attention to him or Ida. The couple in
the next booth ate their burgers, the waitress stood at a table nearby calmly
taking a pencil from behind her ear to write an order. No one seemed to notice
them and it didn’t make any sense.
Ida awoke from her
state and fixed her eyes on the waitress, who had reappeared. Recovered from
her transformation, she was able to
speak in a perfectly calm way. “Grilled cheese and tomato and black
coffee. Please.”
Jimmy stood still,
frozen.
“Jimmy, have a
seat and order,” Ida said, as if she were normal now.
Jimmy slid back
onto his seat. He didn’t know how he could talk but he did. “Ham and eggs and
coffee, black.” He gulped and gave his menu to the waitress, who took it while
staring at Ida before swishing off.
He placed his hand
on Ida’s, waiting. But she didn’t say anything and he didn’t press her, reading
her swirling delicate blue eyes as they turned darker. They sat in silence
while they ate their meal, occasionally their eyes meeting.
Finishing her
breakfast, Ida took out another cigarette and lit it, turning her head to one
side. She spoke softly. “Look. I know you think I’m pretty strange.”
Setting his coffee
cup down, he said, “Oh, I don’t know what to think. First you’re here, then you
disappear on me. I though you were gone, but gone where? I don’t know.”
“I don’t want you
to think—” she said.
“I don’t know what
to think.” His face felt hot again and he pressed the water glass to his
forehead. “But I can’t stand much more of this mystery.”
“I’m sorry.” She
started to cry for the first time, blue tears falling down her cheeks, giving
her face a pink hue.
“What I was going
to say was, first you’re dead cold. Now there’s color back in your cheeks like
there wasn’t back at the theater. I don’t know what to think,” he said.
“I don’t have much
to tell you. I’m sorry,” she said. “Maybe we should go. I’ve gotta get going
tomorrow.” She started to rise from her seat but paused. “You know, I’m not
coming back.”
“You mean you’re
going to let those girls run you off?” He couldn’t believe she would let them
have their way when he knew if she hung in there they would accept her within a
week. He had seen it happen again and again.
He got up and put
her coat around her shoulders. She let it swing stiffly against her sides as
she swished out of the diner ahead of him.
They halted
outside a moment.
“Hold on,” he told
her as they made their way to the curb. Jimmy didn’t want to leave her all
alone after what had happened.
He walked ahead to
hail a cab. A few drops started down. A Yellow whizzed up and he turned around,
but she was gone. He ran one way and then the other, down the street, scanning
around the corners of the long block. He ran back as far downtown as
Woolworth’s and stopped at the lamp she had stood under, which was now vacant
of life. Nothing. Breathless, he slumped down onto the bench at the bus stop.
Pink edged the horizon. It was late, it was early. Why had she shared her
secret with him, and where had she gone so suddenly? He was moving in the
opposite direction from his place. Drops started again and Jimmy pulled his
jacket around his horn. He got up and raised his arm and a cab lurched out from
nowhere.
“Thanks, Mac, East
23rd and Barrett.”
He was thrown back
as the car peeled from the curb and then thrown forward again as they came to a
stop light. When they took off again, Jimmy brushed the drops from his jacket.
Not many. His hand brushed against something at his lapel pocket and he looked
down. A piece cloth stuck out from the pinstripes and he pulled it out. Had
something of the girl’s torn off? The small piece felt soft even with his
calluses, but he couldn’t make out what it was in the dark.
“Hey Mac, can you
flick the light on for a sec?”
The driver turned
on the interior light, glaring back at Jimmy through the rear view mirror.
Jimmy looked down at the piece. He smoothed it
between his fingers slowly, tears coming to his eyes, then welling up in the
corners before falling over his cheeks. It was a piece of white fluff from her
coat. He didn’t know why he was crying. He wondered why should he care about
the girl, but couldn’t help wondering where the she had gone in the dark
morning, leaving him at the curb. Would she come back to the club tonight, even
though she had threatened to leave? He continued smoothing the piece for a few
minutes before gingerly putting it back in his lapel pocket and faced out the
window, long streaks of rain making it impossible to see anything but a shiny
darkness on the streets.
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